Friday, 1 September 2017

Following in the flightpath of John Aubrey


This book which arrived yesterday is one of two biographies of John Aubrey which I have ordered recently. I will be Aubreyed-out soon.

The portrait of him used as the book cover has been lost and only this image remains as a photo in Manchester University. I would like to find the original one day, sitting in the back of some old junk shop. It is a little disturbing when you see what he is using as a hand-rest, and I am hoping that his placing of the hand on the black boy's head is a gesture of patronly protection, and not a symbol of the subjugation of an entire continent. It is an appallingly bad painting, so I am just guessing that the artist used an imaginary figure as a prop. I don't think that Aubrey could ever have afforded a servant at any point in his life, but I will find out when I read the book.

There are a series of coincidences which seem to somehow link me - or at least draw me toward - the life of John Aubrey. He was born in a village very close to here, a little North of Chippenham. He ended up in Oxford.

His friends and relatives were scattered around Wiltshire, one of whom lived in Bolhyde Manor, Allington. The author of this book lived on the Bolhyde estate too, but in one of the farms.

I once had a brief affair with a girl whose landlord and friends were Viscount and Viscountess Garmoyle of Bolhyde Manor. I had dinner there once, and as I left was invited back for another dinner about three weeks hence.

I am not very good at remembering any arrangements further in advance of a couple of days, and having no secretary or P.A. I completely forgot about the dinner-date.

Being an despicable and cowardly cad, I did not phone my hostess to apologise, but simply tried to drive it from my mind by ignoring her for the next couple of months.

Then, one lovely Summer's evening I found myself in a huge hot-air balloon, drifting over Wiltshire. I was working for the ballooning company at the time, and this trip was a reward for all the retrievals I had done for them.

We were running out of gas and urgently needed a place to land. I began to feel a little apprehensive when Bolhyde Manor came into view, surrounded by acres of green fields and with a huge paddock right beside the house.

The pilot began to eye the place up, but I said that I knew it and the owners were hardly likely to want us to land there because they had horses.

Just after I had said that, The Viscount and his wife, plus my erstwhile dinner-date came out on the terrace and looked up at us as we approached at about 200 feet. They began waving and yelling, pointing to the paddock and encouraging the pilot to drop his balloon into it, which he did. We had never had such a welcome from a landowner before.

After we touched down, I got out of the basket, walked up to the girl and delivered one of the best lines ever in my career as a despicable cad:

"Sorry I'm late."

Aubrey's death mask and better known portrait:




15 comments:

  1. Have you ordered the Ruth Scurr one? It sounds like a good read. I think I will look for it in the library.

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    1. Yes. It costs under £3 delivered on eBay as did this one.

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  2. I just googled John Aubrey. England seems to produce these kinds of inspired polymaths by the bushel. It's really remarkable. And it is indeed weird to see Aubrey resting his hand on an African since it seems he took no interest in that continent at all. Could it be that that's not John Aubrey in that portrait after all?

    Thank you for this sentence: "Then, one lovely Summer's evening I found myself in a huge hot-air balloon, drifting over Wiltshire." My first thought was, "Yes, of course, as one does." That's not only a very English kind of sentence, it's a very John Aubrey kind of situation to find oneself in. So, yeah, I see the connection.

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    1. Yes indeed. That picture looks nothing like the other portraits. I think you have a good point. 17th century England was a smaller and greater place to be. You bumped into kings.

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    2. I just watched your You Tube introduction. I like that you don't like Japanese gardens. One question: Will wanders never cease?

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    3. Oh crap. I didn't know I was on YouTube. To be fair, I've never been in a Japanese garden, being as I've never been to Japan and anything outside of Japan that tries to be a Japanese garden is just a grotesque version of an idea of an impression of a whim of a Japanese garden. But knowing what I know about Japanese gardens, I don't like the whole philosophy of them. To visit one must be torture.

      Ha ha. Nope. Wanders never cease. Just last night I roamed all over my own house as if lost in a foreign land, trying to find my phone.

      BTW, now I also think that the portrait is indeed of John Aubrey. I found a mezzotint (NPG D573) in the collection of the National Portrait Gallery by an unknown artist, which is an 18th-c. copy of that portrait: It has the little African boy in it, and the face of Aubrey looks the same, that is, more like Steve Coogan than John Aubrey.

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    4. Steve Coogan? Ha ha. Yes, I sort of understood that it may have been faux Japanese gardens which you do not like - I hate anything faux Japanese myself, but I love the idea of the real thing, even though I think that the Japanese are so insular from 400 years of isolation that they frighten foreign visitors. I mean, what kind of a country would frown on the discreet use of Kleenex in public, but virtually applaud farting?

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  3. I wonder if Vivian Swift isn't right. The engravings I've seen of Aubrey make him look far more imposing; your man on the book cover looks very forgettable.

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    1. I think the portrait sums up his striving to be listened to, which he usually wasn't.

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    2. I really don't think it is of him. I will post up another and his death mask to compare.

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    3. Hmm. Now I have done that I am not sure either way. Like I said, it is a crap painting.

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    4. I looked at lots of images and he has those lips. I think it is him, he just looks better in some than others.

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    5. Ok, I will resume the hunt for the painting.

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